Julia Lohmann

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Saturday, December 8th, 2007

The Catch, Sapporo, Japan

thecatch 10 The Catch, Sapporo, Japan

Julia Lohmann’s 90 m² installation ‘The Catch’ confronts viewers with a vast empty ocean, depleted by over-fishing and our unthinking consumption of marine life. Visitors are swept up in towering waves made of used empty fish boxes taken from Sapporo’s fish market. Unwittingly, they find themselves drifting into its womb-like core. ‘The Catch’ is modeled on an Almadraba, a Mediterranean tuna trap now obsolete due to lack of tuna. It is inspired by Tokyo’s Tsukiji fish market. The installation probes our fatal beliefs in endless supplies of marine life, in inflated fishing quotas and our reluctance to act on scientific research.

Photography: Yoshisato Komaki

the catch 7 The Catch, Sapporo, Japan

the catch 8 The Catch, Sapporo, Japan

the catch 6 The Catch, Sapporo, Japan

the catch 4 The Catch, Sapporo, Japan

the catch 9 The Catch, Sapporo, Japan

studio Sapporo2 The Catch, Sapporo, Japan

Friday, December 7th, 2007

Exhibition: The Catch & A Pension of Norland 08.12.07-16.12.07

S-AIR presents the work of their current residents Yen-Yi Chen (Taiwan) and Julia Lohmann (UK).
When?

08.12.07-16.12.07, 12.00-19.00 h

Private View: Saturday 08.12. from 17.00
Artist Talk: Sunday 09.12. from 14.00
Where?

Japanese speakers please see the flyer below. When you stand in front of Tokyo Hands in Sapporo the exhibition is two houses down to your right, on the sixth floor. There is a wooden carved elephant in front of the building.

ICC S AIR Show1web Exhibition: The Catch & A Pension of Norland 08.12.07 16.12.07

ICC S AIR Show2web Exhibition: The Catch & A Pension of Norland 08.12.07 16.12.07

ICC S AIR Show3web Exhibition: The Catch & A Pension of Norland 08.12.07 16.12.07

ICC S AIR Show4web Exhibition: The Catch & A Pension of Norland 08.12.07 16.12.07

Wednesday, November 28th, 2007

Bound in a Tokyo Nutshell

Tokyo Capsule 2 Bound in a Tokyo Nutshell

Gero spent his last night in Japan in a Tokyo capsule hotel, the pinnacle of anonymous abodes. The tiny pods, stacked like bunk beds, twenty per hallway, in who knows how many hallways on six floors, looked like leftovers from the film set of 2001 – A Space Odyssey. The light of capsule 5008 glowed like the eye of HAL. Guests in this men only establishment are issued with pale blue pyjamas and a towel and then left to their own devices in the maze of the hotel. There are communal TV lounges, baths, and infinite-looking washrooms full of mirrors, probably to counter claustrophobia. Most guests prefer to stay in their capsules though, entertaining themselves with a small TV set with channels ranging from traditional Japanese pottery to hardcore Japanese porn.

Tokyo Capsule 1 Bound in a Tokyo Nutshell

Capsule 5008

Tokyo Capsule 5 Bound in a Tokyo Nutshell

Somewhere in the infinite washroom

Tokyo Capsule 4 Bound in a Tokyo Nutshell

The ever-present ‘No Yakuza’ signs

Tuesday, November 27th, 2007

From Salmon Skin to Leather

Today, S-AIR hosted the second salmon skin workshop. Under the expert tuition of an Ainu instructor we learned how to transform salmon skins into supple white leather. After a short demonstration he quickly got us to do the work (especially the two boys in the group) while he supervised with a very dignified air.

So how does Ainu fish-leather-making work? The salmon skins are rolled up and laid in a groove cut into a massive wooden block. Under constant turning, they are then hammered with a large wooden mallet until they are soft. They are then ‘broken’ further in another wooden contraption before the scales can be removed with tweezers or pliers. Et voila – salmon skin leather.

Normally, it takes two days of relentless pummeling before the salmon skins are supple enough to be used for clothing. I think everyone who took part will remember the favourite words of our otherwise monosyllabic instructor for a long long time: “mada mada” [phonetic spelling, probably quite wrong], which translates as “Not yet, not yet” – or more to the point: “Get on with it!”.

To reward everyone for their hard labour we concluded the workshop with drinks and a feast of European and Japanese salmon dishes, followed by a screening of German short films from the Sapporo Short Film Festival showreel.

Sapporo Workshop AinuMan From Salmon Skin to Leather

Our instructor shows how it is done.

Sapporo SalmonSkinOnBlock From Salmon Skin to Leather

Salmon skin about to be pummeled into submission

Sapporo Workshop Julia From Salmon Skin to Leather

Mada mada!

Sapporo Workshop Gero From Salmon Skin to Leather

Get on with it!

Sapporo SalmonSkins From Salmon Skin to Leather

Top: unprocessed salmon skin; bottom left: softened skin, scales partially removed; bottom right: the finished salmon skin leather.

Sapporo SalmonSkinHalfDone From Salmon Skin to Leather

Detail of softened salmon skin, scales partially removed.

salmon workshop food From Salmon Skin to Leather

The workshop participants tuck into a well-earned dinner.

Sunday, November 25th, 2007

Submersed in Sapporo

On a location visit to the building which will house our final exhibition, we discover a hidden apartment including a tatami room and adjoining bath. It is empty apart from a few newspapers dating back to the 1960s. We are speechless when we discover how the bath was heated – with a giant submersion heater! (see below) Later that day we finalise the exhibition layout at Cafe Zill, a cozy local hideaway with lots of lumberjack charm.

Sapporo Heater1 Submersed in Sapporo

The infamous submersion heater…

Sapporo Heater2 Submersed in Sapporo

…and how it is used.

Sapporo CafeZill 2 Submersed in Sapporo

Cafe Zill

Sapporo PetShop Submersed in Sapporo

What else did we see today? A pet shop which looked more like a dachshund dispenser, selling dogs like fashion accessories…

Sapporo LingerieShop Submersed in Sapporo

…and a shop selling canine lingerie.