21 April – 19 June 2010
Stanley Picker Gallery

Faculty of Art, Design & Architecture
Kingston University, Knights Park
Kingston upon Thames
KT1 2QJ

Tue – Fri 12 – 6pm
Sat 12 – 4pm
Mon – by appointment
www.stanleypickergallery.org

Dead or Alive
27 April – 24 October, 2010
Museum of Arts and Design, New York
2 Columbus Circle, New York, NY 10019
USA
www.madmuseum.org

POST FOSSIL: excavating 21st century creation
24 April – 27 June 2010
21_21 DESIGN SIGHT, Tokyo
9-7-6 Akasaka, Minato-ku, Tokyo
JAPAN
www.2121designsight.jp

Orari Salone: martedì-sabato 10-20 PREVIEW STAMPA: lunedì 11 aprile 15-20 OPENING: mercoled’ 13 aprile 19-23

POST FOSSIL: excavating 21st century creation
January 27 -   April 30, 2011
Design Museum Holon

http://www.dmh.org.il/Exhibition/Exhibition.aspx?pid=12&catId=-1

Tangible Nothingness

It is difficult to express or photograph the nothingness that surrounds us as we drive through the country. The absence of anything giving us a sense of scale of the landscape is stunning just as the infinite details we see for miles, in the soil and rocks, the colours of the plants, the changes in light, wind and water.

Click on the images to enlarge them and use the back button to get back to the gallery overview.

We used the mushrooms for a range of dishes, among them the legendary Champignon Schnitzel.

The Herhusid residency centre team watched us closely for a few days before plucking up the courage to tuck in as well.

Design can be understood as adding value – it is employed to add value to materials and objects to generate a commercial profit and functional, emotional benefit in the process.

Based on the rules of a popular German children’s game, the students take this notion to the extreme and create their design piece or design inspiration from and apple and an egg.

The rules of the game:

At the beginning of the project the students split in groups of two to three people and each group will be given an apple and an egg. This is their capital for this project. Now it is up to each team to make the most of their capital by finding people who will trade with them.

The following days we create design proposals and projects from the inspiration and the objects traded on day one.

How could anyone resist trading with Magali and Juliette?

...but what to make of it all?

Projects emerge from the trade -by Clara, Nina & Yuan

development of the ideas - by Nina & Pierre

…and on to the final presentation tomorrow, with our ‘external examiner’ David Dubois…

Julia Lohmann & Gero Grundmann

Best known for her elegant lamps made from sheep’s stomachs, designer Julia Lohmann will be resident in the Embankment Galleries’ Studio with Gero Grundmann, for ‘The Conformitory: Nature Contained’, as part of ‘Wouldn’t it be nice… Wishful thinking in art and design’.

Working busily from inside a forensic tent, Lohmann and Grundmann will be manufacturing sanitised, ‘health and safety approved’ versions of the natural world – laminated leaves, perfected branches, nut-free nuts and more…

The Conformitory at ‘Wouldn’t it be nice… Wishful thinking in art and design’, Somerset House, Strand London WC2R 1LA, 27 November – 7 December 2008

For press enquiries please contact: Tom.Coupe@SomersetHouse.org.uk

The ‘Resilience’ concrete and wool tables on display

My response to the concrete and wool brief set by Design Miami/Basel is based on research into manmade structures that are exposed to the elements, re-conquered by nature and demolished by humans as well as the effects of natural disasters on the built environment.

The concrete and wool objects on show play with a role reversal of qualities we associate with manmade and natural materials. Concrete, which is normally considered a structural and long-lasting material, is cast in two-dimensional forms onto a woven wool backing. Then, in a design process that harnesses destructive force and the ‘undesirable’ effects of decay as a creative tool, the concrete shapes are broken up. Held together by wool, normally deemed the weaker material of the two, the fragmented forms are then reconfigured into three-dimensional shapes and fixed. This process allows the creation of a wide range of unique objects based on shapes cast in a single mould.

A view of my section of the ‘Designers of the Future Award’ display

The high ‘Resilience’ table

The low ‘Resilience’ table

For further information please visit: www.designmiami.com
© Julia Lohmann 2008

Gero spent his last night in Japan in a Tokyo capsule hotel, the pinnacle of anonymous abodes. The tiny pods, stacked like bunk beds, twenty per hallway, in who knows how many hallways on six floors, looked like leftovers from the film set of 2001 – A Space Odyssey. The light of capsule 5008 glowed like the eye of HAL. Guests in this men only establishment are issued with pale blue pyjamas and a towel and then left to their own devices in the maze of the hotel. There are communal TV lounges, baths, and infinite-looking washrooms full of mirrors, probably to counter claustrophobia. Most guests prefer to stay in their capsules though, entertaining themselves with a small TV set with channels ranging from traditional Japanese pottery to hardcore Japanese porn.

Capsule 5008

Somewhere in the infinite washroom

The ever-present ‘No Yakuza’ signs

So how does Ainu fish-leather-making work? The salmon skins are rolled up and laid in a groove cut into a massive wooden block. Under constant turning, they are then hammered with a large wooden mallet until they are soft. They are then ‘broken’ further in another wooden contraption before the scales can be removed with tweezers or pliers. Et voila – salmon skin leather.

Normally, it takes two days of relentless pummeling before the salmon skins are supple enough to be used for clothing. I think everyone who took part will remember the favourite words of our otherwise monosyllabic instructor for a long long time: “mada mada” [phonetic spelling, probably quite wrong], which translates as “Not yet, not yet” – or more to the point: “Get on with it!”.

To reward everyone for their hard labour we concluded the workshop with drinks and a feast of European and Japanese salmon dishes, followed by a screening of German short films from the Sapporo Short Film Festival showreel.

Our instructor shows how it is done.

Salmon skin about to be pummeled into submission

Mada mada!

Get on with it!

Top: unprocessed salmon skin; bottom left: softened skin, scales partially removed; bottom right: the finished salmon skin leather.

Detail of softened salmon skin, scales partially removed.

The workshop participants tuck into a well-earned dinner.

The infamous submersion heater…

…and how it is used.

Cafe Zill

What else did we see today? A pet shop which looked more like a dachshund dispenser, selling dogs like fashion accessories…

…and a shop selling canine lingerie.